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Group 10 - New group Polyhedron

With the last throes of 2010, just formalize the Group Polyhedron # 10. They conform composers from Argentina, Chile / Brazil, Mexico and Spain.

hyperactive enumerate the members of Group 10:

Bryan Holmes ( Chile / Brazil )
bryanholmes.net

Yair López (Mexico )
www.yairlopez.net Santiago

Mangudo Escalada (Argentina )
www.myspace.com / arsysnet

Julio Sanz Vázquez (Spain )
es.wikipedia.org / wiki / Julio_Sanz_Vazquez


composers will begin to previous agreements that will make it possible to unify criteria in common.

best for the new pool then!

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Group 8: Work completed

Polyhedron Group number 8, and after more than a year abroad, just to end the work Beckett x 8 .
Step back to the composers list members,

Castillo, Elena ( Mexico )
Gallardo Arbelaez, Jose A. ( Colombia )
Keselman, Rony (Argentina )
Pulgar, Axel (Argentina )

The title is linked to the axis about which they agreed to work together. More precisely on the story " The expelled" by Samuel Beckett.

I leave you to listen to the recent piece composed, and enjoy!



Congratulations to the group!

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Resubmission of polyhedron [On Line]

It is available on line a synthetic presentation production mode collaborative Poliedro [On line].
Below you can navigate the presentation.

www.poliedronline.blogspot.com

And the official website to find more data, where you can also listen to works composed by different groups of composers.

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Images Online-Moorings-polyhedron in Sonoimágenes 2010

As we announced, the week of 19 and 20 October during the International Acousmatic and Multimedia Festival 2010 Sonoimágenes organized by the UNLa (National University of Lanus) in the auditorium of the Centro Cultural Recoleta - Microcinema, Federal Capital, both the conference was held on the polyhedra, as the concert work " Moorings" (2009), composed by the group 6 ( Julio Sanz Vazquez ( Tin ), Oscar García ( Bolivia), Sergio Santi (Argentina) and Renato Maselli ( Guatemala). Santi Sergio

(one of the 4 composers of the work) and Luciano Borillo (Group 7) as a guest, conducted the performance On line of the piece.

Thanks to the collaboration of Mario Cazeneuve the work was controlled and re- mixear two mouses in unison!

Below are some pictures.

Sergio Santi testing the performance "tie"

I raise the score of S. Santi for the concert

Last

Sergio and Luciano adjustments

Concert "Moorings" in 2010

Sonoimágenes

Bravo guys!

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Works and Polyhedra conference at the International Festival Sonoimágenes 2010 - Argentina



Concert: Wednesday, October 20, 19hs. CCRecoleta - Microcinema. Federal Capital.
Sergio Santi, a member of Group 6 Polyhedron Online composers, will present the collective work of implementation and control On-line Moorings. "
The work was composed together with Julio Sanz Vazquez ( Tin), Oscar García ( Bolivia) and Renato Maselli ( Guatemala).
This will occur within the cycle of concerts International Acousmatic and Multimedia Festival 2010 Sonoimágenes organized by the UNLa (National University of Lanus), in the auditorium, the Microcinema, Wednesday 20 to 19hs in ; Recoleta Cultural Centre - Microcinema, Junín 1930, Buenos Aires.

Thus this is the first time here in Argentina, and within a festival, run and interpret a work electroacoustic online via the Internet, checking and re-mixing the two performers work at the same time!, this last due to the technical-logistical Mario Cazeneuve.
Performers: Sergio Santi and Luciano Borillo - both composers polyhedra.
The play " Moorings " also can listen online here.

Conference: Tuesday, October 19, 16hs. CCRecoleta - Microcinema. Federal Capital.
The previous day I will be giving a talk titled "System Polyhedron, electroacoustic composition and remote collective nature, focusing particularly the expo. on the characteristics that arise in online Polyhedron .
the end I hope to be heard " Fair Play", the last composition made under the principles of Polyhedron Online, on this occasion by the Group 7, comprising: Ana Maria Romano ( Colombia), and Argentina's Luciano Borillo , Butelman and Andres Alejandro Vazquez .
be a 16hs, also in the Center Cultural Recoleta - Microcinema, Junín 1930, Buenos Aires. Here

text on this other talk and the play "Fair Play " Group 7.

See you next week! Fabian


PD: Full program of works and lectures during the festival Sonoimágenes 2010, click

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polyhedral Works at the University of Rosario and N. Technological University - Argentina

Composer polyhedra Group 8, Jose Alberto Arbelaez Gallardo (Colombia), is to present in Argentina several papers. In one of them will present their compositions among which involves the collective participation of the group polyhedron to which it belongs.
The expo. Jose are:


1 - Wednesday 13 Today in Laboratory of Acoustics and Electroacoustics , Universidad Nacional de Rosario .
here to comment on their work and experience Poliedro!


2 - On Saturday 16, between 14 to 16 pm, at the Universidad Tecnologica National - See Medrano, submit to as the title of the paper is the computer "a musical instrument?
best for the presentations Jose!

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met 3 years of production Poliedral

Date: October 10, 2007 , after the 1st draw, which determined the order of the round for the 1st group compositions Polyhedron.
I list some data produced in this space:

• 7 completed works Polyhedron.

• 3 works in full production.

• 9 participating countries, by source of composers.

• 6 conferences polyhedron made on the project.

• 11 concerts Polyhedron works.

• 36 composers or have been involved.

• 9 groups of composers.

• Blog 6600 visits they have read or heard about the work.

• 3 years that start .

A hug to all who have agreed to share the space of collective creation, sharing and expanding our indivual. Fabian

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Group 9: Polyhedron

Polyhedra The ninth group, composed of composers (nationality and residence), John Cohen (Argentina / UK), Eduardo Kacheli ( Argentina), Jose Mataloni (Argentina / Spain ), Jorge Variego (Argentina / USA ) And Nestor Anibal Zorrilla ( Argentina) have begun the round of compositions.

The common focus on agreed work which provides for the treatment of voice, gestures of languages, and the pursuit of a common global discourse.
Composers fragments have been recorded voices. Several examples were recorded by John Cohen, from which we can hear words in Romanian, French, Korean, German, English, Arabic and Portuguese.

compositional

The first shift was in charge Jorge Variego , who composed the first element trigger.
The result can be case here as an advance.

Jorge Bravo, and forward to the next!

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sonic results online at Sonora Bay [in] 2010

The weekend ended the III Festival in Sonora Bay, closing concert and the auditorium of the Teatro Municipal more than 200 people . The interesting thing was to prove to an audience that mostly were not just musicians. Very possibly incorporating the electroacoustic music program combined with works for flute (Fernandez), dance (Ansiaume), video (Testoni), photography (Tragedy), and poetry "masked capella" (Diaz) were part of reason (plus the Queen Drags!).

Regarding the talks, the day before, Saturday, 4 - at the headquarters of the Alliance Française and comment on the characteristics of conceptual organization and pose on line Polyhedron, performancee the work " Moorings" of Group 6 ( Oscar García (Bolivia) , Renato Maselli (Guatemala) , Sergio Santi (Argentina) and Julio Sanz Vázquez (Spain ) .

Before giving the speech were on FM105.1 radio in the program "Free Time", under the leadership of Grace Tafetani. There also discuss the characteristics of Polyhedron.

Here you can listen to the piece "Tie s ".

Below are some pictures of the festival. Bahiense Photo: Silvia Pascual

We had a first, besides the professional experience of the fantastic, so, I give the festival, and a future challenge to Sonora Bay in become part of the annual calendar of festivals.

Data

festival

http://www.myspace.com/bahiainsonora

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polyhedra Works International Festival Bay [in] sound

Two tireless composers, Ricardo de Armas (general coordinator) and Raul Minsburg (international coordination), for the 2nd consecutive year re-organize the festival of electroacoustic music, experimental and multimedia Bay [in] sound - in the city of Bahía Blanca, Buenos Aires, Argentina.

acousmatics, experimental music, sound installations, audio performances, videomúsica, interventions and mixed media will be part of this festival.

Delhi Municipal Theatre

The concert will be at the Municipal Theatre (the most important room in the city) by the technological and spatial provides (multichannel sound system) the Sunday September 5 at 20 pm.

Click for concert program.

And Saturday September 5 at 18 pm, in Alliance Francaise (Fitz Roy 49), with free admission, will be made lectures by invited composers on themes related to electroacoustic music and its integration with other communication vehicles aesthetics.

Polyhedron Online

chat in this space I will disseminate works made specifically Polyhedron version Polyhedron On lin e . The idea is to show the patterns of organization, execution and control platform online, and share the hearing of the works on a final performance.

Click for the program the talks.

Ricardo & Raul, thanks for the invitation to participate in this wonderful space!

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Group 5: Descriptive report on "Water" (2009 )

The members of Group 5 , made a description of the resources, procedures and points of focus from which everyone worked their part in the work WATER (2009) .

newly listed the composers that make up Group 5;
Otto Castro (Costa Rica ), Marvin Coto (Costa Rica ), Rosa Nolly (Argentina ), Adina Izarra (Venezuela ), Carlos Lopez Charles ( Mexico), Ana Romano ( Colombia) and Julio Zúñiga (Costa Rica )

composed the piece below:

"Water" (2009)


general guideline:
" each received a minute earlier and expanded it by quoting a section of it, remaking the rest of the original material . "

And then each participant described their mode of participation: Otto Castro

: On a tour of the San Carlos (city located in northern Costa Rica), I recorded the sound event which served as material for all compoundeth this work. In my part I tried to highlight the small changes the sound of water crashing against the rocks. I made the electronic processing SoundHack, Csound and Spear. Marvin Coto

: In section I found a development of the ideas expressed in the above, mainly those representing passages of calm, as a transition that contains recognizable elements and allow the next songwriter to raise the dynamics and suggest new developments and perceptions of the strongest gestures presented above. Adina Izarra

: The treatment I did on the materials I received, both the original and was developed and focused highlight the strong attacks with the intention of surprising rhythms and spasms. Granulators were used Supercollider designed and Protools Mixing plugins.

Carlos López Charles : In the section of the book I wrote I looked to paraphrase some of the materials that had been submitted earlier, looking round some of the ideas and at the same time, provide an opportunity to the next composer either create contrast or to present different materials. Nolly Rosa

: Fittingly, my turn, I saw a development of ideas and exploitation of materials that led me to propose a transformation levels of material and pattern. For this filter and detachment elements that would become independent, becoming harmonicity camps and statism, suggesting a dramatic turning point. I snorted that this was perceived by the following composers, and contribute to the challenge of collective composition.

Ana Maria Romano : In my column I tried to address microscopic structural aspects considered along the gestures made previously. The realization I posed the challenge of balancing between respect for the received-both pre-built sections as the base material chosen, and the contributions they could make from my own voice.

July Zúñiga : The last minute of the book presents a much lower average amplitude than the other eight minutes. No new material, but that is reused after a transformation that allows an end in which the intensity of the gesture has lost its strength almost entirely, a final "morendo" in which sounds so clearly and intensity were presented, are lost and come close to silence, while a few still refuse to die and try to excel, and this is the case the last expression is heard.

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Group 7: Works

Group 7, comprising:

Borillo, Luciano (Argentina)
Butelman, Andres (Argentina)
Romano, Ana Maria (Colombia)
Vazquez, Alejandro (Argentina)

Those who took as a premise in common sonic spirit connected to SPORTS, just compose a new part.

composers working in relation to the dynamics given by the execution platform and control of online Polyhedron by which the work can be re-mixed by any auditors. This

link can hear the results so far developed. Bravo

the group! Fabian

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sonic results polyhedral Bolivia - building and training program Music: "Tradition and current" Works


From 21 to 26 June past, in the City L Paz, Bolivia , I had the opportunity to present and share the hearing of three works Polyhedron.

This occurred under the " music creation program, training and dissemination: tradition and modernity ", where he is carrying out the project of Ensembles "execution" instrumentation native European tradition and other cultures, technological intervention.

The project was conceived and is directed by the composer Oscar Guzmán García (Bolivia), also director of Pro Audio study and teaching. This program

I had a chance to be invited to give a six-day workshop on topics related to current artistic and technological achievements, musical backgrounds, available resources and current issues. In addition to working in different specific parts of the assemblies.

During this week present among other parts - as an example - two works Polyhedron " Water" (Group 5) and " Moorings (Group 6). Water

* * (2009) - 8'50''

Group 5: Otto Castro (Costa Rica), Marvin Coto (Costa Rica), Adina Izarra (Venezuela), Carlos López (Mexico), Rosa Nolly (Argentina) Ana Maria Romano (Colombia), Julio Zuniga (Costa Rica)

Moorings
* * (2009)
( Run from control platform )
Group 6: Oscar García (Bolivia), Renato Maselli (Guatemala) Sergio Santos (Argentina), Julio Sanz Vázquez (Spain) (storage, distribution, control and modification on line) *


same time, Oscar Garcia, also offered me to speak at the National Conservatory of Music in Bolivia, where he is teaching - on the topics covered in the workshop. There I hear the work Polyhedron " unfinished work" (Group 5)

* Work unfinished * (2009) - 7'52''
Group 4: Andres Butelman (Argentina), Claudio Maldonado (Argentina), Alejandro Vázquez (Argentina), Javier Zubizarreta (Argentina)

I want to thank the friendly and mainly bulky the professionalism with which they are pursuing this project, both Oscar Garcia G. Bernarda as Adriazola Villagomez, his sound engineer.
I do not want to mention grilling "of Cordobez" immeasurable Gonzalo and reception of members of the assembly.

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polyhedral in Spain - II Intercultural Conference, "Building a Culture of Peace through Music"



raised in harmony and continuity in the dissemination of the production polyhedral Julio Sanz Vázquez (Spain), part of Group 6 (co-author of Moorings "- Polyhedron On lin e, work can be heard & read especially for the web), presented on 4 July its polyhedral experience Spain, in addition to exhibiting works by other groups.

July was invited to participate in the conference has intercultural
are organized in Spain ( II Intercultural Conference, "Building
a Culture of Peace through Music )
July
best time for that presentation! Fabian